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This is America video, by Hiro Murai for Childish Gambino

Directed by Hiro Murai and produced by Doomsday.  With Ibra Ake and Fam Rothstein of the creative agency/Label Wolf + Rothstein, for multi-Grammy nominee Childish Gambino. I love the work of Hiro, “Do you” video for Spoon, or “Gold” for Chet Faker, he is a star.

This is the first result of partnering with RCA Records. Timely topic, action at different levels in the same frame, overlapping on purpose violence, popular dance moves and criticism. An amalgamation of different views of modern America. They deliver, in such a solid way one could not wait to see what comes next.



Poe: Man, Myth, or Monster

“This year is the bicentennial of his birth, and while he never earned a secure living, was often sucked into alcoholic maelstroms, was unable to hold a job without incinerating his prospects and regularly lashed out at his literary contemporaries — while in life, in other words, he was a miserable conglomeration of self-justification, remorse, genius, fury and failure — as a corpse he has flourished mightily. (…)”


Mas en For Poe, This Has Been the Year to Die For,
Poe en su bicentenario, a punto de acabar…

Unravelling the real 3D Mandelbrot

Mandelbrot Gateaux.jpg

“The original Mandelbrot is an amazing object that has captured the public’s imagination for 30 years with its cascading patterns and hypnotically colourful detail. It’s known as a ‘fractal’ – a type of shape that yields (sometimes elaborate) detail forever, no matter how far you ‘zoom’ into it (…) What we have featured in this article is a potential 3D version of the same fractal…”

Kittinger, el hombre que callo a la tierra. Tres veces.

Joe Kittinger, el hombre que callo a la tierra

In November of 1959 US Air Force Captain Joe Kittinger, fitted with a pressurized suit and a parachute, rode a high-altitude helium balloon to a height of 76,400 feet above the Earth’s surface. He then proceeded to jump. This had never been done before, and why would it have been? Kittinger entered a free-fall during which he lost consciousness after entering a 120rpm spin the g-forces of which were calculated to be 22 times the force of gravity at his extremities. Fortunately, his parachute was set to automatically open, which it did, saving his life. Three weeks later he rode another balloon high into the atmosphere and jumped from 76,700 feet. This was Project Excelsior. It was research.
That was nothing, though. On August 16, 1960 Captain Kittinger took a balloon up to 102,800 feet. He could see the curvature of the Earth. He could see entire continents. He was effectively the first human being in space. Again, he jumped. He fell for 4 minutes 36 seconds reaching a speed of 614mph. He thought he had broken the sound barrier. At 18,000 feet he opened his parachute and calmly returned to Earth. He set records for the highest balloon ascent, highest parachute jump, and fastest speed by a man through the atmosphere. He also earned a whole series of medals and would eventually be promoted to Colonel. Recognition and rank aside, why would anybody do this?
Because they wanted to understand, to learn, and the only way to do this effectively was to do it yourself. As we entered an age after the conclusion of World War II defined by new and incredible breakthroughs in technology we needed to understand limits, capacities, and thresholds. In the days before super computers and sophisticated software modeling, this was how it was done. There was a need to understand the affects of high altitude bailout on the pilots and astronauts who would be flying at those altitudes. There was a need to test the effectiveness of the equipment we were designing. That meant someone needed to ride a balloon up that high and jump out. Captain Kittinger volunteered for the opportunity. He showed scientists that astronauts could survive the harshness of space with just a pressure suit and that man could eject from aircraft at extreme altitudes and survive.
More about Joe Kittinger and Project Excelsior here, here and here.
There is also this incredible footage of his jump in 1960 with some narrative from Joe Kittinger:

MovableType 4.2

Movable type nuevo, vida nueva. 4.2 ya, que viejos nos hacemos. Teóricamente están solucionados los problemas con la DDBB y los comentarios, ya se puede comentar. Esa y otro montón de pequeñas putadas que me hacia la versión anterior y que no cuento por no aburrir, pero que han estado a nada de empujarme hacia wordpress. No lo descarto todavía, así que si alguien me da un argumento de peso para el cambio sera sumamente agradecido…